Vinni Marie D'Ambrosio, Ph.D. |
Poet/Scholar |
by Vinni Marie D'Ambrosio, in Voices in Italian Americana |
The Godspeed On All Souls' Day, a visit to the family grave
Day of the Dead. An ordinary gathering of generations as though it were Sunday at the grandfather's house. The long parlor. The crowd of faces stiffly floating on the marble sea of the mantelpiece. Under a shawl of shadows, the piano. And there, in a bowl emitting almond perfume, the sculpted marzipans.
The grandfather had earlier taken a few of the painted fruits to the cemetery and in a sharp wind made love's covenant of apricots and peaches with his wife, dead in 1924, his small boy, in 1916, his daughters, in 1921, '22, '23 - on their headstone, carved above the tumble of gray lilies and numerals, a woman's frozen gaze.
At home, for his favorite granddaughter, the eldest, an undivined gift waits in the dining room. The idea, gracing his narrow house for days, came from an American movie - Loretta Young leaning forward from the wall's glitter into the world's real darkness,
tentative, hands toward the audience, seeming to resemble his grown son's grown girl. Her asking look - come una santa - unfurled his generosity like the parasols in memory that sheltered maidens from sun or rain.
The co-star - un bel ragazzo - offered her a cigarette, and spun out sweet promises in a della Robbian wreathe of smoke.
In the morning, the grandfather had laid out the gift, first on the tablecloth, then in the center of the granddaughter's empty plate - a tasty, smoky, beautiful pack of Old Golds - as the sign he approved her modern habit and that her modesty was inviolable, as an example to teach the gentleness of family and the contentment mercy makes possible, and as his concession to her - she is just nineteen.
Her cousins brush by the great table, hypnotized by the grandfather's reversal.
On the dish, in the shaft of cold light entering from the backyard, the cellophane wrapping is a little bonfire.
But the granddaughter (yet unblessed by his Godspeed) stands at the front parlor window gazing at prophecy. The gray air whitens, curls, beckons - as wings upon wings join in a November flight. |
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